Cognitive Ability Offloading & AI (plus a milestone)

Greetings all, I hope you’re well as you are reading this post.

We are, again, at the last day of the month and I realized, earlier, I didn’t publish at least one blog to reach my goal. At least this serves as that achievement. The milestone I speak of may be more of a pre-milestone, but nonetheless I’ll count it as a regular one.

This is the 450th published blog since I started self-publishing via an official blog on my own domain in Dec 2008. The math tells me I’ve averaged two blog posts a month since I first started, not bad when I consider myself an average blogger. Pretty cool. I’ll do this type of post again when I reach 500 blog posts.

As for the first part of the blog title. I came across an article earlier this evening that was shared on Bluesky by someone I follow who is a postdoc neuroscience researcher. The title of the article is Learning via ChatGPT leads to shallower knowledge than using Google search, study finds. The title and topic is not new to me and, I suspect, the same for you. I’ve purposely felt that it bares some truth for sure, however, it’s just the latest, but same type of, discussion that has occurred during some technological advances in the past. What it could be, in the sense of ML and AI, is that it now seems accelerated but, in principal., not much different than before. Since the age of computing (in the broadest sense), it’s been happening – technological features that do things, automate things, for us that require less thinking, resulting in more cognitive ability offloading. This requires, most of the time, a level of trust and comfort that tells is it’s one less thing to have to think about. While there are many examples, I’ll use GPS for navigation. I’m old enough to remember having to rely on paper maps to get from point A to point B for routes I have no familiarity with. At some point, physical GPS units were commercially available to put in your vehicle, even if maps had to be periodically downloaded to them in order to provide the latest accuracy. Today, it’s on our consumer mobile devices and doesn’t require anything but download your app of choice and for us to trust what the GPS tells us for navigation – this is cognitive ability offloading at best, compared to having to use that Rand McNally (or similar) paper map.

As far as learning via ChatGPT vs using a web search, how different are they, really, from a basal standpoint. Off the top of my head, I would say that AI saves more time than doing a general web query, however, the more specific (with both) you are in regards to your level of “prompt engineering”, the better your results will be. We’re still at the point of ML/AI that AI still needs to be fact checked as a result of providing wrong/inaccurate answers at times because, well, look at what it’s trained on via webscraping alone.

I was having a discussion with a good friend/music composer/producer and large advocate of AI tools, just before starting this post. My belief at the end of the day is, multiple studies or not, how does this affect you as an individual? We all learn, comprehend, ascertain, differently, but at the same time, whether it’s via a web search or AI, how much fact checking, how much time and energy do you regularly invest to ensure that the information is correct? AI cannot fact check itself today. On the contrary, you could best believe that large strides were taken for information accuracy before that set of World Book or Encyclopedia Brittanica volumes for the year (fill in the blank) were purchased by your parents for the home library.

Things to ponder as technology evolves.

Happy Holidays to all of you.

Oceans of rhythm,

Fresh!

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AI music composition = A(ccusable) I(nsanity)?

9:27 am. Greetings all,

I hope all is well as you’re reading this post. I almost forgot that I didn’t plan to get my monthly blog post in and, here we are, the last day of October. Nonetheless, I’ll begin.

As of late, I’ve been seeing increasing social media coverage about the use of platforms like Suno being used by anyone has access to it and can issue prompts into the app, to create AI generated music that sounds extremely realistic, keyword here is “anyone”. I’ve not only come across ads from the website itself, but other entities that sponsor the use of Suno for AI generative music. For a background on the origins of the company, you can read about it here.

To avoid this post ending up as TL;DR, there is an understandable uproar about AI generated music, as such that is created with little to no talent (aside from the arguable notion that you have to possess some talent of “prompt engineering” to achieve improved results). In addition, the shouting about the ever growing methods of web scraping (if you will) of human generated music uploads to train platforms like Suno, and finally the long going issues about copyright infringement and the many lawsuits flying about. As one example, I’ll present this one video, which has links to websites providing more information.

As you may have read over the last few months, Spotify (now in supposed redemption mode to some extent) has allowed for an AI generated music group called Valvet Sundown to inflate tons of streams across multiple playlists. Similar issues across other streaming music platforms have been occurring with gen AI songs doing the same over and over,

Let’s face it, get AI music is here to stay and will only proliferate as time goes by. Sync music licensing platforms are already using said music in lieu of going through the process of accepting and reviewing composer submissions for the usual reasons new technologies present – the saving of money and time. While the former process is in full effect, it hasn’t killed the latter long time process but, nonetheless, the impact is apparent.

Earlier this week, I came across a sponsored post about Suno on Facebook. The comments about AI music production hate were well in place, countered by a few replies (one in particular by a younger user) that defended the fact (immaturely, by the way, based on rebuttals) that no matter what kind of musically trained skill you have attained prior to AI, if you don’t use and adapt to it, you’ll be left in the dust. This mindset is obviously felt by many in terms of using AI in general and is understandable because it is applicable, not just to general AI, but much of the development of technology prior. Since gen AI music will not be gong away, there will be a generation, correction – currently is and will be, that (as listeners) won’t care if the music is gen AI or not, let alone being able to tell if it is or not. This is inevitable, however, musicians and artists like myself will continue to express the concerns we do. A comment was made in this FB post that the same fearful mindset was said about drum machines, in that they will eliminate the need for drummers. I replied that while that statement is true, the comparison is not the same, as you must have some talent to program a drum machine beyond using any premade loops that it possesses, and even with programming and/or loop usage, you still only end up with a drum track, not an entire song.. Secondly, there is no AI involved, so there is no process it enter prompts into it for music to be generated.

The obvious argument is that music generated by Suno, much like code generated by Copilot, ChatGPT, Claude, Warp, and the like, are products generated by AI trained on what humans have provided, not the human real time creativity, let alone the interaction of humans to create music. Therein lies the continual activity of cognitive ability offloading, and in the case of gen AI music, no “musical composition” talent needed. Of course, the aspect of having no talent to create music spans decades prior to this post – one example being use of turntable sampling to created hip hop records – different technology, same foundational principal.

Where will all of this go? Time will, as usual, tell. Feel free to comment (or not) as you wish.

Oceans of rhythm,

Fresh.

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The Importance of Documentation for Preservation

Greetings all. I hope, as you read this, you are well. Here we are, about to enter in the last quarter of 2025, thus the proverbial saying…”where did the time go?”

During the middle of last week, I got a message in my inbox that reads as such:

Okay, sir….. You understand the importance of documentation. I have officially decided that I will be more active in recording videos of time with family and friends. I grew up in a world of living in the moment, and I still live by that, BUT as I get older, I realize how important photos and videos are. Since I’m an nostalgic old gal, I’ll be recording these videos in a VHS filter 🤣 Throw them in a Google Drive folder and give family the link to it

This person knows that I’ve been journaling regularly for the last five years, though (ironically), I missed the last few days, so this prompted the beginning of a dialog on the importance of documenting/preservation. We ended up discussing the approaches I’ve taken and made some suggestions she may want to consider. One of things this she mentioned was, while photos are great, video is better, not just because of the visual, but the audio that often accompanies it, specifically the ability to hear one’s voice. I definitely agree with her (as I’m sure you do as well). The first item that came to mind that supports (for me) this aspect greatly is this photo below of a cassette tape…note the timeframe written on it. It mostly includes a family gathering during Christmas time and has the voice of my mom who passed away a year later when I was only 8 years old. You can imagine what it would be like to hear your Mom’s voice so many years later because, at the age of 8, how many really remember much of any relationship with their loved ones?

I still have this cassette, and have transferred the contents to DVD, external hard drive, and minidisc for preservation. As long as I can remember, I’ve been an archivist, especially to digital format, of fragile items such as cassette and video tape, photographs, etc, for longevity and preservation. Back in the day, the recoding devices and mediums LONG before the mobile phone that were of use for me were primarily cassette tape, followed by VHS for video. It was until recently that still owned a Sony 8mm camcorder I bought in the early-mid 1990s that I used to record tons of family video onward. My daughter was born in 1996 and I had just got my first mobile phone (which I still have) around that time, upgrading from a pager. From the looks of the phone, you can clearly see recording video wasn’t EVEN an option.

I’ve recorded a lot of VHS and 8mm video tape content of all kinds (wedding day, movies, TV concerts, daily family life, vacations, etc) to DVD thanks to a VHS-to DVD recorder my cousin gifted me with decades ago, which still works like a charm. I have hard drives of scanned photos and video spanning 30 years easily and I’m glad I took the effort to do so simply because tape can be so easily damaged if not well kept in many ways. I’ve chosen not to back up any of this content to the cloud only because not everyone’s content needs to sit on someone’s remote server that you have no access to. I have enough devices (since I baby a lot of my tech, old and new) that this content can be viewed and heard by family long after I’m gone, and means a lot to me.

In any event, thanks for the read.

…oceans of rhythm, Fresh.

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General handwriting in 2025 – a lost art?

This is my third post for the event #blaugust2025.

The last seven days have been very busy at work. I had a 6am start this morning, which means by 2:30pm, I was headed home. After having lunch, I decided to check the Tech News feed on my Bluesky account and came across this article: The End of Handwriting

I started not to read it, even though the title made me curious mainly because I thought it was about the end of handwriting as a general communicative skill (as in writing letters). There are some poignant quotes in the article which do make sense to me, such as the following;

  • Email began edging out cards and letters decades ago. Then smartphones hit the market, and our reliance on paper notes, wall calendars, and Post-it reminders dwindled.
  •  There are real benefits to learning to hold a pen in your hand and use it.
  • …researchers hypothesized, time spent holding devices rather than pencils might be impacting whether kids had all the motor skills they needed to learn handwriting when they entered kindergarten.

Being one that grew up two decades prior to computers and then digital mobile devices that can store the text you generate, I was taught handwriting, cursive included, because it was the norm. Even outside of having to write out all my homework to turn in, I was writing letters to friends and famil, and as a young engineer in the late 80s, was instructed to and taught the value of always writing engineering notes in notebooks (many of which I still have since then). To this day, I still purchase and send out Christmas cards where I have to sign them, in handwritten ink, versus those you can purchase from CVS, Walgreens, Shutterfly, etc with your or your family’s name pre-printed within the card.

Handwriting is an analog approach, not to say that typing and email (for example) isn’t, but the gist of this blog post is more in line with the personal touch of writing a letter or doing such in a card, that I tend to believe is far more personal than anything easily done digitally.

It’s ironic that I came across this article, as a friend of mine since I’ve known since I was 15, and one who I dated for a brief time, happen to keep AND show me some pictures of a FEW letters I wrote to her in college. It was weird to see what my handwriting looked back then, something I’d forgotten. Never in cursive, but the photos were clear enough that I could read the thoughts I conveyed back then.

In addition to this analog approach, there is the type of stationary used, even (for some) the type of writing implement used (fountain pen, anyone?) that defines the whole art of writing. Oh, scented letters to that man or woman you were involved with? Yeah, that too…none of which can be done digitally.

The digital approach is far more easier, expedient, and takes less effort, I get it, you get it, but the art is lost. Maybe it will resurface, like vinyl records have… Time will tell.

Thanks for the read. Oceans of rhythm..

Fresh

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The “glory”days (?)

Greetings, I hope all is well with you. This is my second post for the event #blaugust2025, and while I decided to participate knowing I wouldn’t post a daily entry for the month, I’m enjoying it nonetheless. I’ve been one to enjoy creating on demand, though I’ve had to do it for music production.

Photo credit: u/bono (reddit)

I saw this photo some months ago, ironically around the time I dropped off my Mac Classic at a semi-local retro computing service shop for repair. The backstory is that I was introduced to the Mac platform during my first job as an engineer back in the late 80s. The business manager on the program I worked on was an Apple aficionado and though the office’s main computing platform was PC, he ran all the business aspects on the Macs we had in the office: a Mac IIci, Mac Plus, a Powerbook, and a LaserWriter II. Coming from a previous job of IBM machines, I immediately fell in love with all things Macintosh and was able to my first computer, a Mac Classic II, in 1992. Ever since then, the macOS platform has been my go-to platform for computing, hands down. Needless to say, I’ve used and own MANY since 1992, but the gist of this post is about a recent situation that has occurred along with some relative nostalgia.

I was having an online chat with Riccardo Mori, along time Apple fan and aficionado about the state of Apple’s current existence vs that of the company’s early days and product offerings. Riccardo has posted numerous blog entries regarding his thoughts on this and, while I don’t consider myself to be an aficionado, but more of a diehard fan, my thoughts align with his. One thing we both agree on is the “magic” that once was in the 90’s timeframe, which is sorely missed by people who experienced Apple’s evolution during that timeframe. I’ve talked about “magic” in previous posts here so I won’t belabor that at this point, but it does tie into this recent situation aforementioned.

My original Mac Classic II bit the dust sometime ago and I ended up getting Mac Classic somewhere along the way, so long ago I don’t remember exactly when and from where I got it. Needless to say, I ended up getting another because it reminded me of my fond experiences using the Classic II for everything computing-wise but specifically it being my first entry into computer-based music production – couple that with the magic that was Apple then, and it all explains why I wanted to keep the Classic in my life.

Fast forward to this past May. The Classic was sitting in my recording studio unpowered for months, as I had no space to really have it plugged in, keyboard connected, etc, I just wanted it as a showpiece. In April, I flipped the power switch on but got no screen, though I could feel the computer powered on. I immediately suspected the usual issue for a computer this old: bad logic board , or could be in need of recapping in the least. Nonetheless, I did some research to determine if I wanted to try and perform this repair myself but, as a result, opted against it. It took me awhile to find a repair center that could fix it, but ended up choosing one in the next state over, relating in a 40 minute or so, drive.

Cool, I dropped it off, chatted with the owner who had an office full of retro computers he does repairs on, assisted by a staff of two people it seemed. The repair form stated I could opt for expedited service but I decided against it because there was no rush in getting it back. The dropoff date was 5/27/25. To date, I still don’t have the computer back.

One thing I am a stickler about is customer service and the thing that annoys me the most is that this proprietor never once contacted me to provide status on the repair situation UNLESS I contacted him first. I understand that there could be an unforeseen backlog, I even understand (as I am told) that he got the wrong logic board, and had to get another, but not once did he decide to give me status on either. I’ve told him TWICE that his lack of communication is poor and unacceptable.

In any event, I’ll see how longer it will take to get my Mac back, but it makes me wonder if it’s all worth it. The memories will always remain, but to have a working machine this old, and not being one to want to learn how to self maintain it to the extent needed as far as repairs go, makes me just want to settle for the fond memories.

I’ll always be a fan of the Apple ecosphere. While some argue that Apple hasn’t had any real innovation since the iPhone, I wouldn’t necessarily say that’s true but I haven’t really seen anything since then that has wowed me. I know that the industry has changed and that is inevitable but with the change, so left the “magic” (at least to me).

Have a great rest of the day.

Oceans of rhythm,

Fresh

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…and it’s Blaugust 2025

Greetings all, thanks for stopping by, as usual. I hope, as you are reading this, you are well. In the spirit of this week of Blaugust, I’ll introduce myself to those who have never read this blog. In short, I started this blog, vibesnscribes, back in 2007, as a means to blog about favorite artist tracks I’m currently listening to AND just to write about what’s on my mind currently. The former reason quickly came to be tedious as my initial idea was to provide reviews of songs, complete with artist history, studio credits/liner notes, etc. That burden made me choose another direction which let to my foray into podcasting. Out of that was born “The Sunday Soundtrack” a podcast that was an alternative to the various smooth jazz genre wave of tracks popular across the airwaves in the last 2000s. The Sunday Soundtrack featured lesser known tracks from the genres of chill out, downtempo and (smooth) electronica) – shoutout to AMic for the nice podcast logo design. It was a weekly podcast usually posted on Sunday evening in line with those needing to relax as they prepared for the following week. I did that for quite a few years and really enjoyed it Oftentimes, I’ve considered resurrecting it but I need to find the time to do so. There’s a subpage in my page menu that talks about the podcast more and provides links to the podcast episodes I’ve released. You can find another sub page here named Tech Times, a mobile podcast showcasing 5 – 8 minute episodes regarding me waxing philosophically (if you will) about current consumer technology in our daily lives. There are two interviews among them as well

As for who I am, the About Me page of this blog summarizes me well enough that I won’t repeat it here. I still enjoy blogging because it essentially represents the indieweb aspect of what Blaugust is about. It’s my “digital garden” and I control how it grows and is tended to, untouched by the “algorithm”. While I used to blog incessantly at one time, I now do it enough to keep it enjoyable, without any specific topic theme (as you can see by my topic cloud hashtags). The blogroll lists blogs that describe my general interests. Most time, when I’m blogging, I’m usually listening to tracks from SomaFM streaming artists from the Fluid, Groove Salad, Deep Space One, DefCon, or Beat Blender channels.

All that being said, what is Blaugust? Here is a blog post that I think sums it up succinctly AND has an updated feed of bloggers participating this year. I’m looking forward to exploring these participant blogs (once I find a good RSS reader for macOS and my iPad.

That’s it for now. Take care, protect your mental.

Oceans of rhythm…

Fresh

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My present day journey of music consumption.

Greetings. Happy Sunday (or insert the day on which you are reading this).

Lately, I’ve been evaluating how I consume music and that evaluation strongly goes past that as a regular listener, but a musician/artist-creator/producer and my current age. This may be TL;DR but, be that as it may, I’m not gonna summarize 🙂

I started consuming/listening music as a child when there was really only vinyl and cassette (I skipped over that mess called 8-track, but I digress), so I won’t go into the subsequent ways/technology that followed it – iTunes/mp3, Napster and the like, all the streaming platforms available today. Instead, I’ll share the ways I best enjoy consuming music and why.

Spotify (yes/no: no). I remember what Spotify was like when it first hit the US shores. It was a much different entity than it is today. I pretty much despise what it has become regarding everything from its incessant algorithms, digital DJs, its every growing offerings of AI generated tunes, resurrecting songs via AI of dead artists and circulating them (read more here). and what its CEO is using the money gained to invest into. I’ve used Spotify as a platform used by Distrokid, a music distributor, to stream songs I’ve released as an artist and the only thing that serves any benefit for me is listener reach. Additionally, I’ll just mention (as tons of others have) the FRACTIONS of a cent an artist gets paid for the stream of one song (provided the listener streams it for more than 30 seconds). I’ve never made a playlist because I don’t find it that useful. The only two things of benefit are discovering other artists I like and streaming music in the background while driving or other tasks where I’m not in the position to really enjoy the listening experience. Lastly, because of its inherent design (similar to other streaming platforms), it has made musical disposable and weakened the more valuable aspects of the better listening experience. I’ve lost track of how many times unes of major artists, particularly those from decades ago, sound degraded in audio quality compared to other artists. This is 2025, what’s up with that? Then there is the whole contractual thing with record labels where some songs you can find elsewhere aren’t even on Spotify.

YouTube (yes/no: no). Similar to Spotify, there are tons of artists uploading their music to YouTube. What trumps Spotify here is now you get video content (maybe that’s the case with Spotify now, but again, see above – not into it anymore). The downside with YouTube, unless you pay for YouTube music is pretty much the same with Spotify (also unless you pay for Spotify) – ads. The ads I see on YouTube turn my stomach, for some reason, I find them worse than any ads I’ve seen on TV throughout my entire life.

Bandcamp (yes/no). Even though Bandcamp is also considered a streaming platform, the general features far outweigh Spotify and YouTube. For one, YouTube comments are nice, as they can provide more insight into the artist and/or the tracks being streamed, but I rarely bother with comments. Yes, there are alternatives to Bandcamp but what I love about Bandcamp is the following:

  • As an artist, one can set the price of your music for download, from zero upwards and get paid immediately (once BC takes a small cut). There is no better way I can think of to support an artist when this kind of mechanism is used. I’ve made more money on Bandcamp over the last 10 years than I ever would via Spotify.
  • Merchandise sales, if you choose, are another way for fans to support you, whether by purchasing physical media or otherwise.
  • The artist discography is immediately accessible so listening to it is very easy.
  • Additional details can be added that you can’t via Spotify or similar. You can go beyond song artwork visuals and add lyrical content and the like. If you have followers/supporters, they’ll show at the bottom of your page, and more.
  • Downloads of your music comes in different formats: ogg/vorbis, FLAC, mp3, .wav, etc.

Soundcloud (yes/no: no). I used to house tracks there back in the day, and while I pretty like its organizational approach, it seems you have to now have an account and log in to listen to songs. I don’t know when they changed to that, but I pretty much don’t use it for general music listening BUT it is a good mechanism for sharing tracks with others, especially sync licensing library houses, but I think there are other approaches that have come along that serve that purpose better.

Generally, when I want to enhance my music listening experience, I like to do so via listening via physical media. The biggest two reasons: I own it and I don’t have to rely on the internet to do so. In addition, though it is far less convenient and requires more work – I oftentimes like making my own minidisc labels of artwork. I don’t mind using my deck to label tracks on the MD, or using something like WebMinidisc to simplify track labeling when using netMD (or even HiMD, if that is your thing). Similarly, I like reading liner notes in my hands, my journey has been long enough that I like (especially being a musician who has done tons of studio work as well) getting as much history as I can about the musicians, songwriters, arrangers, producers, studios, etc behind the music -something you don’t get streaming services.

That’s about it, (as I stream music from my favorite and monetarily supported site, SomaFM). I hope you enjoy the rest of your day, evening, night. Oceans of rhythm…

Fresh.

PS: My latest enjoyable genre is ambient – I may blog about that in the future

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The small web.

Greetings all, I hope this post finds you well.

Peace and blessings, Fresh.

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#19orwell84

Greetings all,

I hope you are well on this last day of May, in the year of our Lord, 2025. Man, time is flying. I’m fulfilling a pact to post a blog at least once a month, as it seems to be the perfect frequency for me to continue enjoying the approach to blogging, something I used to do incessantly since 2007.

The blog title serves two purposes. The lesser one is an easily searchable hashtag I use on Bluesky to tag articles of interest that I plan to come back to read or want to easily find there. I do this because, unlike other social media sites like X, there is no native bookmark feature (yet) and the pinned post feed designed by another Bluesky user sort of gets the job done but sometimes that feed can go down and/or won’t show every article you’ve “saved”. The main reason for the tag is to serve as a collection of articles I’ve seen posted that shows the ever increasing prediction of what George Orwell wrote in his book, “1984”. For those not familiar with it, it predicts the future of the digital surveillance state we are under, globally. While I haven’t read the book, I am in no way surprised that the predictions are constantly coming to fruition. The sad thing is that they all seem to be unavoidable.

At the risk of being long winded and discussing aspects of the articles I have tagged over the last two months, I’ll just leave links below. I often wonder if some people, as they can be with other aspects of privacy intrusion, just accept it and don’t care, or not…I don’t know…and I don’t really care to. Anyway, the articles;

New Orleans called out for sketchiest use of facial recognition yet in the US – This one, and anything that has to do with facial recognition is, to me, probably one of the most egregious, especially with the ongoing issues facing AI facial recognition and its implications.

DOGE Is Building a Master Database to Surveil and Track Immigrants – Three words – digital tracking collar.

ICE Taps into Nationwide AI-Enabled Camera Network, Data Shows – First with EZ-Pass and toll lanes, now this…

There are many more to come but if you’re a Bluesky user, feel free to search on the hashtag for many more articles I came across on the topic.

Thanks for taking the time to read this post,

Oceans of rhythm,

Fresh.

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AI slop – please make it stop (wishful thinking)

Greetings reader, I hope this post finds you well. Welcome to April.

Disclaimer: This is mainly a rant post, you’ve been warned.

Generative AI in 2025 is hardly a new thing, it’s been around regularly for the past two years, easily and you really can’t traverse social media without running into some form of it. The aspect of it that really annoys me is not the lesser known approach of taking your facial makeup and allowing yourself to appear as a 17th century gladiator or space warrior from the 27th century, it’s the generation of photos that are supposed to be very real but, upon just a wee bit of inspection, clearly can be seen as fake. I’ve been seeing this WAY too much for my liking, thanks to the highly annoying Meta post suggestion algorithm, on Facebook. This images are that of architectural items – homes, the ever present “barndominiums” (I didn’t even know that’s a term), street scenes, indoor dwellings, and similar. The height of my annoyance is the large number of clueless people commenting on this images saying they are awesome, fantastic, great, beautiful, etc. Granted, these comments can be planted/created by the creator of the page (the creator even may be some sort of bot for all I know). A little bit of common sense after inspecting the image will reveal that this made by generative AI. I’m not saying I’m so keen to noticing that I stand out alone in stating this – there are always at least one or two comments in the post thread that point out the same.

The worrisome thing is if these comments that hail the greatness of this images are legitimate, we’re in for a future that will be VERY easily duped and accepting of fakery – not the really good deep fake imagery and video that is currently in development but it will be do just being too lazy to look a little further. We already have photo editing technology in the latest smartphone and imaging editing apps that can remove items from photos with accuracy beyond the Photoshop editing features that have been around forever.

Will we become so used to generative AI in the same way we’ve become used to voice generated audio that we clearly know isn’t a real person but is *close* enough, let alone the very latest in AI visual assistants that REALLY sound like a true person. My guess is, like many similar technologies, yes….it’s inevitable…they’ll sound even more realistic then the ship computers that talked back to the crew of the Starship Enterprise in the 60s.

Oh well, time moves on. Make it habit to touch grass, regularly (even it’s akin to astroturf).

Peace…oceans of rhythm

Fresh.

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